#Swiss supercollider full

Never satisfied by working alone, Benjamin is fascinated with and constantly seeks out interdisciplinary collaboration and cooperation, often working with artists and performers from many different fields on several projects.

#Swiss supercollider full

He also continues to compose in a completely acoustic medium, having recently been commissioned by The Florida Orchestra and the University of South Florida to compose Bonn Chance, a piece for full orchestra celebrating the 250th anniversary of Beethoven’s birth. He has had performances and given talks on his electroacoustic work at festivals such as SEAMUS, ICMC, NYCEMF, EMM, TIES, N_SEME, CMS, eviMus, and Sonorities, in addition to festivals of new music hosted by various universities around the world. His music has been described as “marvelously intriguing” and “evocative” in a recent review in Fanfare magazine, and is performed often around the globe. Whiting is an internationally award-winning composer of both acoustic and electroacoustic music.

Her recent work for pressure-sensitive shoes, Next Step, was premiered at the conference Refresh #2 as part of the 2019 Zürich Digital Festival.īenjamin D. Examples include working with two motion capture systems to generate interactive sound in a dance performance ( ZHdK Immersive Arts Space), building an improvisation machine that interacts with participants' bodily movements (upcoming, Kein Museum), and utilizing electronic, pressure-sensitive shoes (Daniel Bisig, Sounding Feet) to create new interactive works for dancer and electronics - among other projects. She eagerly experiments with different technologies and human-computer interactions. William Fulbright Scholar and Swiss Government Excellence Scholar at the Zürcher Hochschule der Künste (ZHdK), where she received her degree in flute performance (M.A.), with a concentration in sensor-augmented instruments and a minor in electroacoustic music composition. Melody has also completed artist residencies at the Immersive Lab of the Institute for Computer Music and Sound Technology Zürich and at the Timucua Arts Foundation.

and Europe and abroad, including the Zürich Digital Festival, Creative City Immerse Festival, ZKM Next Generation Festival, Montreal Contemporary Music Lab, La Côte Flute Festival, PAM-Hörmal Festival, the SWR E-Werk Freiburg 'Art's Birthday,' Swiss Digital Day, and as a fellow laureate at the Atlantic Music Festival Future Music Lab. Her current research focuses on creative applications of machine algorithms in improvised performance.

Moreover, Symmetry Magazine notes about the 2008 tests: “During powering tests of the main dipole circuit in Sector 3-4 of the LHC, a fault occurred in the electrical bus connection in the region between a dipole and a quadrupole, resulting in mechanical damage and release of helium from the magnet cold mass into the tunnel.Melody Chuaactively pushes the development of interdisciplinary works by bringing together music performance, interactive programming, and immersive visual mediums into her own practice. Whatever the LHC will do, Nature has already done many times over during the lifetime of the Earth and other astronomical bodies.” In fact, the collider exploded during initial tests in September 2008 and the worst thing that could happen is the release of helium and damage to magnets.ĬERN explains on its website: “LSAG reaffirms and extends the conclusions of the 2003 report that LHC collisions present no danger and there are no reasons for concern.

The answer is nothing “nature has already done during the lifetime of the Earth” would happen if the collider was to explode, according to CERN. Explaining what would happen if the collider exploded